“Šemso” is a monodrama for two characters that brings a man’s deeply personal and existential crisis to the stage through negotiations, outwitting, and demonstrations of power.
Šemso faces an unconditional choice: either he shows his work permit to the police or he must return to Bosnia. This seemingly hopeless situation reaches a dramatic climax when Šemso’s alter ego, his doppelganger, appears as a lifesaver.

“Good Luck, Foreigner!” is a monologue that focuses on a woman’s deeply human confrontation. She faces an existential dilemma: Should she quit her demanding job and thereby jeopardize her father’s cancer treatment, whom she financially supports, or should she stand up to a boss who has already placed her on the downsizing list?

“Integration Competition” is a play that explores the experience of integration in a lively, humorous, and authentic way for those for whom it is intended.

“In the Prater” is a play that depicts a bitter fight between Mrs. Zuckermeier, a proud Viennese woman, and Haris, a Bosnian.
The trigger for the conflict? Haris’s dog mounts Mrs. Zuckermeier’s purebred dog. In this dramatic episode, not only classes but two worlds collide.

“Flea Market at the Fluchtgasse 3” is a play that retells the classic love triangle and explores the power of language as a dividing element. This play focuses on two brothers and a woman and unfolds a dynamic that presents the classic parallel relationship with an unexpected twist.

It’s always talked about behind closed doors: In this play, lovers and married couples are confronted with each other’s infidelity in 18 situations. Each scene is a profoundly meaningful discourse, rich in conflict, yet simultaneously…